(Note: This text is EXTREMELY INCOMPLETE---if you can add something to it, please mail me. Thanks in advance.) Rec.Martial-Arts FAQ

Martial Arts NewsGroup---Frequented Asked Questions

My thanks to all those that helped in the outline & development of this idea. This FAQ is not intended to be a Martial Arts Bible, but to give some help to those that are looking for a place to start, or those more experienced that would like to know more about some different style, have a particular doubt, etc. Suggestions, opinions and additions would be most welcome. The latest version of this FAQ can be FTP'ed from cs.huji.ac.il, in the pub directory. I hope to be posting this FAQ every 1st of the month.

NET Etiquette on RMA

While Rec.Martial-Arts is by no means an electronic Dojo, it should perhaps be considered our "after training trip to the Restaurant". You don't come to blows into a restaurant, or at least is not supposed to. You don't shout in restaurants, when you are not calling the cook about the Grasshopper in your soup. Although the net is a wonder of free speech, the superior man does not let himself lose his temper in public. Give a soft answer and let the attacker's words roll off you. If there must be retribution, use the ways of the ninja and do it on email, and remember you are talking to people who spend their lives preparing for battle. Do not rely on rank alone for victory in the use of fighting words, for rank without wisdom means nothing. There may be wisdom in the words of a child, and even a 5th dan can be a fool. Enough said. "To say too much is to mean too little".
  • 1) What is a Martial Art?
  • 2) What kind of Martial Arts are there?
  • 3) What are the different Arts, Schools, Styles?
  • 4) Which Martial Art should I study?
  • 5) This guy says that his style will make a Full Certified Warrior & Killer out of me in 3 months---is it serious?
  • 5.1) What do I do to become the deadliest person in the world ?
  • 6) How do I choose a School?
  • 7) Should children study Martial Arts?
  • 8) A small bibliography, to be completed.
  • 9) I believe/don't believe in X. Should I train Y?
  • 10) Other sources of Martial Arts related electronic information.
  • 11) I opened my "Weenie-Tweenie Super Hyper Academy---The Nest of The Fighter Eagles (tm) (c)" and I want to post it for the world to see. Should I?
  • 12) What is Greenoch?
  • 13) Sources of information (addresses, etc.)
  • 14) What is ki/qi/chi?
  • 15) Glossary
  • 16) Sources of equipment and material.
    1) What Is A Martial Art?

    A Martial Art can be defined as a system of techniques, physical and mental exercises developed as an effective means for self-defense, both unarmed and with the use of weapons. The origin of Martial Arts is a controversial issue,and we can see signs of them in Greek, Egyptian, African, Japanese, Chinese, Thai, as well as in a lot of other cultures.

    2) What kind of Martial Arts are there?

    Martial Arts can be generally divided in "soft" and "hard", "internal" and "external".

    By this division we mean that Arts that make use of circular motions, channeling and diverting momentum to unbalance an opponent---like Tai Chi, Aikido or Ninjutsu---are considered soft, while Arts that use strikes, kicks, like Karate, Tae Kwon Do, Muay Thai, are considered hard; "internal" and "external" is a more subjective concept, orthogonal to "soft" and "hard", that is found in the Chinese styles.

    3) What are the different Arts, Schools and Styles?

    This is a question with many, many answers---some could say that there are as many styles as there are martial artists. So, we'd like to introduce some of the most popular Schools, with some Styles names where applicable (the Arts are not listed in any particular order):

    Kobudo
    "Kobudo" literally means "ancient martial ways". In the karate world, it generally refers to those traditional Okinawan weapons whose history and practice has been linked to that of karate. Most Okinawan styles have at least some kobudo/kobujutsu curriculum. In addition, there are at least two major Okinawan organizations whose primary focus is these weapons arts: the Ryukyu Kobudo Hozon Shinko-kai and the Okinawa Kobudo Renmei.

    In the US there is 'Okinawa Kobudo Association, USA'; the shihan in the US is in Citrus Heights, CA. There may be other US Kobudo organizations.

    KOBUDO WEAPONS The most common kobudo weapons (and the ones most often taught by Okinawan karate systems) are:

  • bo - staff, usually a rokushakubo or "six foot staff", although 4, 9, and 12 foot staffs are also used;
  • sai - three-tined iron clubs, usually carried as a set of 3;
  • nunchaku - two short tapered wooden clubs, connected at the narrow ends by a short rope or chain (a flail, as well as other uses);
  • kama - a sickle, used singly or in pairs;
  • tuifa/tonfa - a club with a hand-length perpendicular handle, the ancestor to the police PR-24; usually used in pairs.
  • Less common weapons are:

  • koa - a hoe;
  • eku - a boat oar;
  • tekko - essentially brass knuckles;
  • shuchu - a small kubotan-like thing about 5" long;
  • san-setsu-kon - the 3-section staff;
  • surujin/suruchen - a weighted chain with a spike or blade on one end - similar to the Chinese chain whip or the Japanese manrikigusari;
  • tinbe - actually, this is two weapons...the tinbe itself, which is a small shield traditionally made of the shell of a sea tortoise, and the rochin, which is a short spear with a cutting blade - the weapon actually resembles a Zulu spear more than anything else;
  • kusarikama - a kama on the end of a rope or chain; nunti - a short spear;
  • and a few other odd ball implements of mayhem including spears and the occasional pilfered Japanese sword ;-).
  • Jujutsu
    Some say that this is one of the first Arts to appear. It is a very complete system, encompassing throws, locks, kicks and punches.
    Karate
    One of the most popular MA's, Karate started in Okinawa and was later brought to Japan by Gichin Funakoshi Sensei. Today it is common to find Traditional" "and "Competitive" Karate---traditional being the formal Okinawan styles,and competitive those styles directed mostly to championships. Styles include Shorin Ryu, Shotokan, Goju Ryu, Isshin Ryu, Shito Ryu, etc. Karate is based on linear kicks and punches, being a very effective self-defense system.
    Judo
    Regarded as a sport, Judo continues to attract people looking for a healthy form to develop themselves, and it is a good form of self-defense, based on throws, leverage and control of the opponent.
    Aikido
    A soft art that emphasizes neutralizing forceful attacks by redirecting their force. The Aikido stylist attempts to take control of the attacker's momentum and redirect it into a throw or takedown.
    Tai Chi Chuan
    A combination of traditional Chinese external styles with Taoist principles, Tai Chi has evolved into many styles: Yang, Chen, Old Chen, Big Wu, Little Wu, Sun and innumerable sub-styles, being characterized by slow,graceful movements. Although many people practice Tai Chi for its health or spiritual benefits, with proper training it can be an effective Martial Art.
    Kung Fu
    The generic name for hundreds of individual Chinese fighting arts, soft and hard, internal and external. Kung Fu include grappling, striking, nerve-attack and many weapons training.
    Kendo
    A derivative of kenjutsu, wherein the practitioners wear protective armor and use simulated swords (split bamboo called a "shinai") to "spar" against one another. Strike areas are limited as are moves. Some kata are retained from kenjutsu between individuals.
    Iaido
    the Japanese art of drawing the sword for combat. The object is to draw the sword perfectly, striking as it is drawn, so that the opponent has no chance to defend against the strike. Usually practiced in solo kata (form), if has strong philosophical ties to Kenjutsu.
    Kenjutsu
    The combative use of a sword. There is a large amount of two-person work on this, mostly with wooden swords. Sparring is a developed student activity, and there is a strong side of spiritual and philosophical study, similar in ways to that of Aikido.
    Muay Thai
    Thai Boxing, involving boxing techniques, hard kicking and knee and elbows strikes. Known for the high level of physical conditioning developed by its practitioners. It is regarded as the national sport in Thailand.
    Kali
    A Filipino Martial Art, derived in large part from stick and sword fighting, and also encompassing other weapons, and empty hand self defense.
    Silat
    Pentjak Silat is the Indonesian set of Martial Arts, all with different styles and schools. They all seem to integrate weapons on their training, and mostly are indigenous, although some styles integrated Japanese and Chinese techniques and principles. The generic name 'Silat' is used throughout much of Southeast Asia, as in Malaysia (Bersilat), to mean the local version of this Martial Art.
    Tae Kwon Do
    A Korean kicking and punching art, with emphasis on the kicks. Many of the techniques are similar to Shotokan Karate, which has a participation of debatable size on the birth of this Art, since it directly influenced one of the Kwans (styles) that were indigenous to Korea and were amalgamated under the name Tae Kwon Do. There is _usually_ a greater emphasis on the sport aspect of the Art.
    American Kenpo
    American Kenpo, also called Kenpo Karate, is an eclectic art developed by Hawaiian Ed Parker. The art combines the Kenpo Karate which Parker learned from William Chow with influences from Chinese, Japanese, Hawaiian, and Western Martial sources. American Kenpo blends circular motions and evasive movements with linear kicks and punches. The art is oriented toward street-wise self defense.
    Kempo Karate
    The family style of Grandmaster James Mitose. First taught to non-family members in Hawaii during the 1940's and 1950's. Mitose called his family style, Kyu-sho Ryu Kempo ("Old Pine Tree School Fist Law"). One of Miltose's students, William Chow, mixed in elements of his fathers Chinese style to produce his own style, called Kara-Ho Kenpo Karate.
    Capoeira
    A Brazilian Martial Art, Capoeira was born in the "senzalas", the places where the slaves were kept. It consists of a stylized dance, practiced in a circle called the "roda", with sound background provided by percussion instruments, like the "agogo", the "atabaqui", etc. It incorporates the "maculele", done with blades, and the "maracatu", done with sticks. Highly acrobatic, energetic and difficult to master.
    Ninjutsu
    A generally soft Japanese Martial Art, incorporating armed and unarmed combat and based upon efficient use of momentum and body mechanics. The Ninjutsu martial artist strives to evade attacks in such a way that he places himself in an advantageous position from which a simple use of leverage or movement of his body weight can take down or control his opponent. It tries to incorporate aspects of every possible situation and needed knowledge of fighting, by means of different Arts inside the Art, for example, subdivisions with bladed weapons, ground fighting, infiltration, cryptography. Beware of the many who say they teach Ninjutsu but are in line for a fast buck teaching Karate in a black uniform.
    Savate
    A French Martial Art, developed in the last century, encompassing kicking techniques somewhat similar to Tae Kwon Do or Karate, punching techniques from Western Boxing and stick fighting techniques based on French rapier fighting. Its origin and relationships, if any, to other Martial Arts, are unclear.
    Lua
    Hawaiian form of combat which resembles Ju Jitsu in some of its moves. In the 1800s the royal Hawaiian family decreed that the art would be restricted to its members of the royal Hawaiian family. (In fact, it is still illegal to practice the art in the state of Hawaii.) Since the 1980s, the veil of secrecy to non-Hawaiians has started to lift with the open teaching of the art in Southern California by Alohe Kolomona Kaihewalu. The primary emphasis of the art is joint dislocation.
    Kajukenbo
    Eclectic martial art invented in Hawaii. It is a blend of Karate, Judo, Kenpo, and Boxing, from which arts it takes its name.
    Hap Ki Do
    The Korean art combining joint locks, pressure points, throws, kicks, and strikes for practical self-defense. More soft than hard and more internal than external, but elements of each are included. Emphasizes circular motion, non-resistive movements, and control of the opponent. It is commonly confused with Aikido, since the Korean and Japanese translation of the names is the same.
    4) Which Martial Art should I study?

    That's a question that only you can answer, maybe with a little help of your physician. While some people advocate that "my style fits any individual", it is very debatable if someone would adapt to *any* style. Also, it depends *HEAVILY* on your objectives---what are you looking for?

    Advice of many experienced Martial Artists here on NetLand coincide in the point of "go, read, look around, ask---then decide".

    Many people change from one style to the other. While this is a common practice, accepted in the means of development, it is known that the first style is normally the one that leaves the base, the more profound "marks". Try to choose a style that suits your needs and at the same time offers you a kind of "challenge" to go on learning.

    5) This guy says that his style will make a Full Certified Warrior & Killer out of me in 3 months---is it serious?

    While many people enter the Way of the Martial Arts trying to be the deadliest persons in the world, it is not true that the final objective of the Arts is this. Many Masters already said that the best battle someone can win is that one that he doesn't fight. So, don't expect any miracle to come down on you, any light to come thru your window in the night and make you the most skilled fighter---it will all depends on your dedication, in your objectives and in the amount of training you get.

    5.1) What do I do to become the deadliest person in the world ?

    You can't. While a Martial Artist does learn combat skills, the final objective of a Martial Art is not to become the deadliest person alive.

    The Martial Arts recognize that there will always be someone who is bigger, stronger, faster, has a bigger knife, a more powerful gun, a longer range missile, and so on. The objective, then, is to become the best that you can be, regardless of how good anyone else is.

    6) How do I choose a School?

    This can be answered maybe in the same terms as question 4.

    The environment where you'll learn and train, the people that will be your partners, all this plays a very important part on the process, aside from the instructor himself---you'll need some basic trust in the individual, as a beginning.

    Don't get impressed by the size of the place---just be sure that you feel ok in there. Go, watch some classes (without participating), then ask to participate---see if the behavior of the students changes by the fact that there is a new person in their class. Check the approach the higher ranked students take on you---their help will be most important in your advancement in the Art you choose.

    A quick and dirty check list, for you to complete with your own points, is:

  • How good are the students?
  • Is there a mix of upper and lower ranks?
  • Do they move the way you would like to?
  • Is the atmosphere in the school relaxed and friendly, but serious?
  • Are there students of both sexes?
  • Does the school differentiate between tournament and self-defense?
  • Does the school differentiate between forms and function?
  • Are allowances made for students with physical limitations?
  • Do the students get personalized attention?
  • Do they help one another?
  • Do the senior students seem fit and relaxed?
  • ...

    7) Should children study Martial Arts?

    In a very general answer, yes. Of the many people that contributed in the making of this FAQ, a lot of them demonstrated their support to the idea of children studying MA: some listed the effect on their behavior (control of aggressiveness, energy, etc.) and some even touched the self-defense issue. In fact, for a child the Martial Arts can provide a mean to deal with self-assurance in an early stage and an approach to respect and discipline.

    The style that a child should take is a totally different question, and is directly influenced by the style, if any, of the parents. It will of course be very interesting if the child can practice together, or at least in the same school as the parents.

    The teaching of Martial Arts to children, considering now very young children, is normally in a way of "playing" Martial Arts, that sometimes can make things confusing for parents that don't participate/know/understand this side of the teaching: children often learn without being aware that they are learning.

    8) A small bibliography, to be completed:

  • "Go Rin No Sho---The Book of the Five Rings". Miyamoto Musashi
  • "The Essence of Ninjutsu". Dr. Masaaki Hatsumi
  • "Budo Jiten". F. J. Lovret
  • "Comprehensive Asian Fighting Arts". Draeger & Smith
  • "The Art Of War". Sun Tzu
  • "Zen in the Art of Archery". Eugen Herrigel
  • "Karate-Do, My Way of Life". Gichin Funakoshi
  • "Karate-Do Nyumon". Gichin Funakoshi
  • "Karate-Do Kyohan". Gichin Funakoshi
  • "The Student's Handbook". Frederick Lovret
  • "The Filipino Martial Arts". Dan Inosanto
  • "Absorb What is Useful". Dan Inosanto
  • "Budo". Morihei Ueshiba
  • "Japanese Swordmanship - Technique and Practice". Gordon Warner,
  • "Kodokan Judo". Jigoro Kano
  • "Tang Soo Do (Soo Bahk Do)". Hwang Kee
  • "The Fighting Arts". Howard Reid & Michael Croucher
  • In general, books from the Kodansha Editors carry a reputation of being serious and at the same time direct and objective.

    This list will grow with time.

    
            Ohara Publications, Inc.
            24715 Avenue Rockefeller
            P.O. Box 918
            Santa Clarita, CA 91380-9018
    
            Unique Books
            4201 Vanowen Place
            Burbank, CA 91505
            (818) 845-2656
    
            FAX (818) 845-7761
    
    9) I believe/don't believe in X. Should I train Y?

    In here goes a lot of discussion, possibly not in the scope of this newsgroup. One can try to say "my Art is better/more complete/whatever nonsense than yours", and he can EVEN base himself on experience and/or prejudice. But normally it is considered non-ethical from a Sensei/Sifu/Master/Teacher to try to *impose* his own views into his students. Now, some Arts require a background, or even a mind-set oriented to a certain aspect of its origins. So, if you see yourself contemplating the possibility of studying one of these Arts, be sure to enter one that won't go against any of your basic beliefs unless you are ready to change or modify them---of course your ability to absorb the right teachings will be conditioned to the way you approach your study.

    10) Other sources of Martial Arts related electronic information.

    This FAQ, together with Brad Appleton's great work, the Stretching FAQ, as well as contributions by Mic Venning (the Bruce Lee FAQ) are available on cs.huji.ac.il (132.65.16.10) on /pub/doc/faq/rec/martial.arts.

    Another discussion forum, this time a bit more specialized, is the Traditional Karate Mailing List, maintained by Howard S. High, of which we include the Charter:

    Charter for the Traditional Japanese/Okinawan Karate Group
    List Name: KARATE
    
    PURPOSE:
    
    The purpose of this group is to provide a forum for individuals who          
    
    practice one or more of the traditional Japanese/Okinawan Karate
    styles to share information and discuss issues.
    
    This is the first "CYBER-Dojo" as a training supplement to Karate.
    
    The list is un-moderated, with restricted membership.
    
    
    MEMBERS:
    
    Application for membership is open to any individual who practices
    traditional Japanese/Okinawan Karate (teachers and students).
    An exception to this rule will be for those individuals who follow the 
    traditional values but does not belong to a traditional school due
    
    to reasons beyond the individual's control.  Another exception is for 
    individuals who have not yet selected a martial art to follow.  This 
    list can help such individuals choose their path.
    
    
    APPLICATION PROCESS:
    
    A prospective member will send a subscription command to the LISTSERV
    Host:  LISTSERV@UKANAIX.CC.UKANS.EDU
    
    command:  subscribe karate 
    
    The Host will forward an automatic reply which includes the questionnaire
    and the Principles of Conduct.  After completing the application, the 
    
    prospective member will forward the application to:
    
                    godzilla@kuhub.cc.ukans.edu
    
                    use Subject:  PLEDGE
    The questionnaire will be reviewed by the list owner.  After review, the list
    owner will either request more information from the applicant, send a
    Welcome Letter to the new member, or advise the applicant why the
    membership was not approved.  
    
    
    POSSIBLE TOPICS FOR DISCUSSION:
    
    - Bunkai
    - Oyo
    - comparisons of Kata from various styles
    
    - "Hidden moves" in Kata
    - Lineage of teachers
    - History of Karate
    - Terminology
    - Organizational structure
    - Traditional tournaments
    - Kumite techniques
    - Seminars
    - Biographies of teachers
    - Book reviews
    - Rank systems
    - Etiquette
    - Philosophy
    - Ceremonies
    - Teaching methods
    
    There is also the Aikido FTP site: 132.239.51.3, and the Aikido Mailing List:

    >From GMS@psuvm.psu.edu Sat Apr 17 00:39:49 1993
    Organization: Penn State University
    
    Date: Fri, 16 Apr 1993 14:42:08 EDT
    From: Gerry Santoro - CAC/PSU 
    Newsgroups: rec.martial-arts
    Subject: Announcing new LISTSERV group AIKIDO-L
    
    Because of popular demand I have established a LISTSERV conference
    for people wanting to talk about Aikido.  The name of this group is
    
        AIKIDO-L@PSUVM   (for bitnet users)
        AIKIDO-L@PSUVM.PSU.EDU   (for Internet users)
    
    The purpose of this group is open, public discussion of Aikido.  Sharing,
    
    understanding and and mutual respect are encouraged.  Flaming and
    arguments (such as 'my style is better than your style') are discouraged.
    
    To join the list, send an interactive message (if you are on bitnet) or
    email (if you are on Internet) to either:
    
         LISTSERV@PSUVM  (bitnet)
         LISTSERV@PSUVM.PSU.EDU  (Internet)
    with the message:
    
         SUBSCRIBE AIKIDO-L 'your full name'
    
    Then you will start getting email from the list.  To participate in the
    list once subscribed you simply send email to AIKIDO-L@PSUVM or
    
    AIKIDO-L@PSUVM.PSU.EDU.
    
    For example, I subscribed with the following command:
    
        SUBSCRIBE AIKIDO-L Gerry Santoro
    
    Although I am list owner I intend for this to be an unmoderated list.
    I am providing this as a public service and to spread word about
    Aikido.  Please don't expect me to referee discussions. (:-)
    
    bow
    
    Gerry Santoro
    Academic Computing/Speech Communication
    Penn State University
    Aikido Kokikai Penn State
    
    11) I opened my "Weenie-Tweenie Super Hyper Academy---The Nest of The Fighter Eagles (tm) (c)" and I want to post it for the world to see. Should I?

    Again, this answer depends a lot on how you see the ethics present in the Net, the relations between your ego and your pocket, and the way you do it.

    According to the charter of the Usenet, this place shouldn't be used to advertisements with the intent of making money. Second, it is not always interesting for the reader in Iceland to discover that a Kicking-Butt-Do Academy opened on Kuala Lumpur. Either limit your distribution, or post in the newspaper it will be more guaranteed that you find your public.

    12) What is Greenoch?

    Sorry, but this is not the place to disclose such a secret. Last time I said something about it I had to endure four hours of continuous Malayan chanting by an Hindu that thought he was reading TCP/IP packets for a whole Navajo congregation, in Cyrillic characters, while two genuine American Ninja Warriors (TM) kept murmuring Pink Floyd in reverse trying to put the subliminal message of Greenoch secrecy back into my brain cells. And on going out I was attacked by the Soke of MeikDo, that promptly pulled a Cross gold pen and using terrible Wall-Street-wannabe techniques made me sign a check for 2.000.000 rupees, for damage inflicted to the Greenoch Brotherhood. And all this while a bunch of Real Martial Artists (C) tried and tried to make puns out of every line in the script. I was saved by a Grandmaster of 21 Styles, himself the head of the Greenoch Grand League, when he interrupted his 3 minute cross-training and credential gathering.

    Now, the truth, simple and clear, is: Greenoch, as you may well know by now, doesn't exist. It is meant as a joke over the "my School is better than your School", "my Sensei/Sifu/Master is better than yours" syndrome that sometimes comes up in this group. Besides, it is great fun.

    13) Sources of information (addresses, etc.)

    The Aikido Dojo Directory, ftp'able from cs.ucsd.edu 132.239.51.3.

    --
    
            Soke John J. Williams
            Box 2335
            Station A
            Moncton, NB
            E1A8J3
            Canada          (506) 382-6349
    
    Soke Williams is affiliated with the International Martial Arts (League IMAL) and is head(?) of the Canadian Ninja Society. They maintain a large catalog of martial arts schools in North America. Write or call. Simply state that you were referred to him as such a source and are in need of MA schools/instructors in whatever part of the country you are interested in.

    14) What is ki/qi/chi?

    There are no absolute right answers to this question. Instead of giving the one true answer to this, below are several different opinions.

  • Ki doesn't exist. Everything the ki model tries to explain can be explained with body mechanics, biophysics, and psychology. There is no need to postulate some mysterious force. Science can explain it.
  • Ki exists absolutely. Ki can be used to increase your strength, throw people around, etc. Subjective experience shows that ki is real.
  • Ki may or may not "really" exist. It is a useful model. The ki model allows you to visualize how to increase your strength, throw people around, etc.--it doesn't matter if it exists or not. If someone invents a better model (i.e. one that is easier to visualize), then maybe we'll switch to it. 15) Glossary

    This is a brief glossary to give people some idea of what we are talking about. These are not complete definitions--the words may have other connotations and denotations than what are listed, but this is a beginning.

    English:
    
    sparring        -- training with another person using actual blows
    
    
    Japanese:
    atemi           -- a punch
    do              -- way
    dojo            -- training hall
    gi              -- uniform worn when training
    
    kata            -- prearranged series of movements
    ki              -- energy, living power, spirit
    kumite          -- sparring
    jutsu           -- art
    randori         -- free taking, multiple attackers, form practice one-on-one
    sensei          -- teacher
    
    
    Korean:
    dobak           -- uniform worn when training
    dojang          -- training hall
    poomse          -- prearranged series of movements
    chigi           -- a punch
    chagi           -- a kick
    do              -- way
    
    kyorugi         -- sparring
    sabumnim        -- master instructor
    
    Chinese:
    chi             -- energy, living power, spirit (same as qi)
    sifu            -- teacher
    qi              -- energy, living power, spirit (same as chi)
    
    16) Sources for material & equipment

    (Please send in info for places outside Continental USA --- this is a very international group.)

    World Martial Arts Supply
    6052 N. 16th Street
    Phoenix, AZ 85020
    
    (602) 265-8943
    
    California S and P Inc.
    10545-B San Pablo Ave.; El Cerrito, CA 94530; USA
    415.527.6032
    
    Century Martial Art Supply, Inc. 
    1705 National Blvd.; Midwest City, OK 73110; USA
    800.626.2787
    
    Defense Arts, Inc.
    P.O. Box 1028; Smyrna, GA 30081; USA
    404.434.0370
    
    East West Markets Exchange, Inc.
    5533 North Broadway; Chicago, IL 60640; USA
    312.878.7711
    
    Honda Martial Arts Supply Co.
    61 West 23rd St.; New York, NY 10010; USA
    800.USA.NYNY or 212.620.4050
    
    
    Kim Pacific Martial Arts Supplies
    1451 Doolittle Dr.; San Leandro, CA 94577; USA
    800.227.0500
    
    Kiyota Company
    2326 North Charles St.; Baltimore, MD 21219; USA
    301.360.8275
    
    Martial Arts Supplies Co., Inc.
    10711 Venice Blvd.; Los Angles, CA 90034-6294; USA
    213.870.9866
    
    Musashi Martial Arts
    1842 S. Grand Ave.; Santa Ana, CA 92705; USA
    714.557.4274
    
    PAIS Enterprises
    P.O. Box 518, Miliken Post Office; Milliken, Ontario, LOH 1K0, CANADA 
    416.299.8168
    
    S & P of New York Budo, Inc.
    
    P.O. Box 2; Depew, NY 14043; USA
    716.681.7911
    
    Saghafi Enterprises
    1604 Niagara Falls Blvd.; Tonawanda, NY 14150; USA
    716.832.3322
    
    Top Brands
    Box 51331; New Orleans, LA 70151; USA
    504.522.4540
    
    I & I Sports
    1524 W. 178th Street
    Gardena, CA 90248-3204
    
    Paladin Press
    P.O. Box 1307-3ZK
    Boulder, CO 80306
    

    The people that made this list possible:

    Al Bowers         - bowers@skipper.dfrf.nasa.gov    (Iaido,Kenjutsu,Kendo)
    Andrew Vida	  - osan@cbnewsb.cb.att.com
    
    Dakin Burdick     - burdick@copper.ucs.indiana.edu  (Tae Kwon Do)
    David C Carr      - dccarr@ihlpf.att.com
    Douglas Cohen     - doug@eng.umd.edu                
    Gabriel Acevedo   - acevedo@athena.mit.edu	    (FAQ formatting)
    Greg Whitlock     - greg@athena.cs.uga.edu
    Howard S. High    - GODZILLA@kuhub.cc.ukans.edu     (Traditional Karate)
    James E. Ward     - jew@rs6000.sunquest.com
    Jack Lund         - zippy@ccwf.cc.utexas.edu	    (HTML formatting)
    John Simutis      - simutis@ingres.com              (Kobudo)
    
    Joseph Toman	  - toman@darkwing.uoregon.edu      
    Lauren Radner     - radner@bushido.cray.com         
    Lee Fisher	  - leefi@microsoft.uucp
    Mic Vening        - vening@chdasic.sps.mot.com      (Bruce Lee FAQ/Revision)
    Michael Robinson  - robinson@cogsci.berkeley.edu    (Tai Chi Chuan)
    Mikel Evins       - mikel@apple.com			
    Peter Hahn        - hahn@anubis.network.com 		
    Richard Parry	  - parry_r@kosmos.wcc.govt.nz      (Kyokushinkai Karate)
    Scott Machaffie   - sm@cs.pdx.edu
    
    Stephen Northcutt - snorthc@relay.nswc.navy.mil
    Stephen Kurtzman  - kurtzman@pollux.usc.edu
    Steve Gombosi	  - sog@craycos.com		    (Kobudo)
    Steven List       - itkin@mrspoc.transact.com
    Todd Ellner	  - todd@reed.edu		    (Silat)
    Izar Tarandach    - izar@cs.huji.ac.il              (Karate/Ninjutsu/Capoeira)
    
    (...) and many other names that  I possibly left  out---if you have  any
    additional questions on the listed styles, please contact.  Questions were
    made to be answered...