Status
of image Status
of imagePhoto : Cheryl Donegan, Head, 1993.
From this point on, the image was directly produced by the machine. Its status was thrown into turmoil. Real time or deferred time, verifiable or simulated time, the image no longer belonged to the domain of reproduction but to that of production as such. It began to invent its own world, in default of an ability to reproduce ours.
Gamings
of new technologies
Artistic
project
Curatorship
Historical
context
biennale d'art contemporain de lyon 95